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CONTRASTS AND ANALOGY

"Something in the year 2010 in Argentina, because of the death of a passionate political leader, changed the words of Goebbels, who was an axiom of media power. Yes, a thousand repetitions make one truth. Two thousand, a lie. " JP Feinmann

" E destination l ; The Eternauta is remarkable when it seemed to have reserved a melancholy position (being the greatest of something small, cartoon Argentina), became a canonical text for college bound secondary, another Martin Fierro . When it seemed that he would participate in the ritual of examinations December Nestornauta came and turned it into a political symbol alive and, therefore, subject to various disputes.

That The Eternauta first part has been made in the 50s and is more developed or socialist Peronist not affect the question: a work is his reading, and The Eternauta has been read and has been read. Even, who began this reading was Oesterheld himself in the '70s, with its concept of "collective hero" for re-writing the remake 1969 and the second part of 1976.

If there is a mismatch between the figure of Eternauta and Nestor Kirchner, is elsewhere. The Eternauta (and here comes my reading martinfierrista) is the story of a resistance struggle against the state. Is consistent, anti-fiction. The invasion ended with the Argentine government, of course, and their remains (the military) to display only survive their failure. Foreign states also fail-atomized Buenos Aires only after partisans Juan, Franco and Favalli destroy the core of the invasion, or, in the version of Breccia in '69, they betray the third world. And they are still in their invisible presence, especially in his invisible presence, a state. A state that governs by coercion or terror: by teledirectores or glands of the hands. It is not unreasonable to postulate War II the origin of the images that Solano López had in mind when he drew the mass marches ordered the invasion, triumphant in that pair of pages for the first and last time we see it as an occupying army. To misleading the "snow-free zone, finally, they imitate to perfection the mechanisms of organization of a state bureaucracy in crisis. If the challenge and sorrow of Fierro became against the law, challenges and regrets de Salvo and his friends face the most complete version of a State. (...) while in the '70s the good fight against the Empire, in the 90 defending the Republic, and the good side was the State and defense, with a Senate guarantee. Something similar happens, I think, with this version state The Eternauta . If it is possible to argue that the figure of Nestornauta betrays to some extent The Eternauta , I believe that herein lies the mismatch. The Baldwin proposes a figure of resistance that is surrounded by the pomp of state: a resistance that, contrary to any sense that you assign to the word, is from the first line of political power. Juan Salvo insulation put on his suit to survive on a desolate street. Nestor Kirchner to lead a rally or a official website . It's not news that the use of a symbol user say more than the symbol itself, but it is interesting to see to what extent applications become the dominant reading. Martin has long since lost its character Fierro gaucho outlaw when Lugo, the President of the nation sitting in the audience, made it epic and representative of Argentina. "
(of" Nestornauta Adventures (frag) For Federico Reggiani )